"On Daemons & Dust", originally appeared, in a different form, in The New York Review of Books."Ragnarok Boy", originally appeared, in a different form, in The New York Review of Books."Fan Fictions: On Sherlock Holmes", originally appeared as "Inventing Sherlock Holmes" and "The Game's Afoot", published in The New York Review of Books on Februand February 24, 2005."Maps and Legends" (about Columbia, Maryland), originally published in Architectural Digest in April 2001."Trickster in a Suit of Lights: Thoughts on the Modern Short Story", elements of which originally appeared in McSweeney's and Best American Short Stories 2005.As in all his books, there’s plenty of it to be had in Maps and Legends." San Francisco Gate called the collection "fascinating", O: The Oprah Magazine said that "Vital energy and a boundless appetite for risk give these essays their electric charge", and Harper's Magazine noted that "What is so startling is how much more interesting most of these indulgences are to read about in Chabon's pages than they were on their own, in the pulpy original as if the nostalgic novelist, like the magician-for-hire in his Amazing Adventures of Kavalier & Clay, can make paper roses consumed by fire bloom from a pile of ash." Contents
In The New York Times, Mark Kamine wrote that "ntertainment, as Chabon argues in this collection’s opening essay, is what literary art all boils down to. Prior to its release, the book received harsh criticism from Publishers Weekly, which declared Chabon to be "bitter and defensive about his love for genre fiction such as mysteries and comic books", adding, "It's hard to imagine the audience for this book." Many subsequent newspaper and magazine reviewers have been positive.
Several of these essays are defenses of the author's work in genre literature (such as science fiction, fantasy, and comics), while others are more autobiographical, explaining how the author came to write several of his most popular works. Maps and Legends is a collection of sixteen essays by American author Michael Chabon, his first book-length foray into nonfiction.
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